For her début novel Who Town, New York writer Susan Kirschbaum drew on her experience covering art, fashion, and certain social scenes in the city as a journalist for over a decade, lending the social parody an eerie air of realism. In Kirschbaum’s vivid portrayal, the problems and places feel real—it’s easy to envision scenes set not only in New York neighborhoods, but also in particular places, like the venue a young band plays on the Bowery, though she doesn’t name it. And issues of self and celebrity culture remain constant. While Who Town tells a tried tale—a mix of archetypal twenty-somethings struggling to find, define, and lose themselves in city culture—Kirschbaum reinvents the unraveling in a way that feels relevant. Who Town is the story of youth and identity, art and fashion, drugs and rehab, the scene and the sex, but for the next New York generation.