BEST OF COUTURE S/S 2013


Every couture season brings with it the same questions of the form’s continuing relevance, but the recent Spring collections offered several invigorating arguments for its lasting importance for fashion, as proved by The Last Magazine fashion direction Alastair McKimm’s top five looks. At Christian Dior, Raf Simons pushed forward with his reinvention of the storied, historic house with a show that combined his trademark vibrant colors and minimalist designs—and his newfound love of floral embellishment—with the elegant shapes that defined the New Look all those decades ago. There was a distinctly A-line shape to the collection Maria Grazia Chiuri and Pierpaolo Piccioli sent out for Valentino as well, along with a reminder, through show notes that exhaustively detailed the time and effort that went into each piece, of the valuable wealth of human ability and history necessary for each latticework cape or sheer tiered gown. The house of Chanel knows well the value of that legacy, given its famed dedication to the ateliers that produce its couture pieces, and Karl Lagerfeld’s latest collection was a bold reimagining of the classic idées fixes—tweed, skirt suits, stark black and white—that are so integral to the label’s personality. Maison Martin Margiela added a sharply contemporary tone to the week, turning shiny candy wrappers into glimmering riffs on fur and pairing coolly modern shift dresses with distressed platform boots. Newcomer Iris van Herpen served up another promising vision of the future of couture, using a three-dimensional printing technique for some of her dresses, which popped with intricate and delicate cutouts and fractal shapes that looked like instant classics.

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