Ballet can often seem a hermetic world, sealed off by French terminology, acute melodrama, and unnervingly perfect posture. Glimpses within are few and far between, and tend, in popular culture, to hew along the bombastic lines of Black Swan, Darren Aronofsky’s frantic 2010 film which starred Natalie Portman as an increasingly fevered prima ballerina and featured future Paris Opéra Ballet director Benjamin Millepied as her haughty partner.
The new documentary Ballet 422, however, extends an open invitation to a quiet look behind the scenes at New York City Ballet, following dancer and choreographer Justin Peck as he prepares for the 2013 première of his brand-new Paz de la Jolla.