Anders Hayward Is a New Kind of Triple Threat

As he makes his feature début as a teenager dealing with existential ennui in the gritty new film Run, the dancer-turned-model-turned-actor expands his study of character in a new direction, finding himself in a range of new projects, whether on the page, the stage, or the screen.

Jovani Furlan Makes His Move

After seven years at Miami City Ballet, the Brazilian dancer makes his debut at New York City Ballet as part of an effort to replenish the roster of male talent, becoming one of the rare outsiders to join the storied company.

Naoki Kobayashi Dances Onto the World Stage

With his English-language début as an enigmatic photographer caught in a love triangle with Alicia Vikander’s Lucy and Riley Keough’s Lily in Earthquake Bird, the Japanese dancer-turned-actor brings his intense presence to new audiences.

Caleb Teicher Makes Tap Dance New

The young choreographer and dancer tackles the complicated legacies of tap, swing, and jazz head on through collaborations with everyone from beatboxers to new music composers to Regina Spektor, bringing the forms into a new age and offering a vision of hope on stage.

JONAH BOKAER'S FIFTEENTH ANNIVERSARY

The collaborative, media-mixing contemporary choreographer celebrates fifteen years of his own company with a retrospective program and world premiere to look back while moving forward.

ROMAN MEJIA SHINES IN A NEW GENERATION OF DANCERS AT NEW YORK CITY BALLET

As the company makes its way through tumultuous times, the eighteen-year-old demonstrates the promise of a rising young crop of dancers with his clean lines and bounding jumps.

JUSTIN PECK BRINGS THE BALLET TO BROADWAY IN 'CAROUSEL'

The celebrated ballet choreographer makes his Broadway début with an acclaimed revival of Rodgers and Hammerstein’s Carousel, earning a Tony nomination for his contemporary, candid dances.

DAVID HALLBERG ON INJURIES AND INSECURITIES

In his new memoir, the celebrated principal dancer of American Ballet Theatre recounts his intense childhood training, joining the Bolshoi Ballet, and the arduous yearlong rehabilitation after a nearly career-ending injury that gave him a new perspective on his talent and the art form.

BENJAMIN MILLEPIED PUSHES FORWARD IN 'I FEEL THE EARTH MOVE'

In his newest work for American Ballet Theatre, the Franco-American choreographer refuses easy answers and emphatically rejects convention while leading an all-start cast through vivid and vibrant images.

GIANNA REISEN

With her new work set to premiere at New York City Ballet’s Fall Gala this week, the recent School of American Ballet graduate is the youngest choreographer ever to be commissioned by the company at just eighteen, the next step in a promising career she will have to balance with her own dancing as an apprentice at the Dresden Semperoper Ballett.