After years of experience at major international brands, the New York-based designer returns with an eponymous sustainable line crafted by artisans in remote China using ancient techniques, reconnecting consumers with handcraft and tradition.
As a murderous Rev-9 in the new Terminator: Dark Fate, the Texan pulls from his real-life experiences and natural charisma and steps into the shoes of Arnold Schwarzenegger and Robert Patrick as a robot who is almost, but not quite, terrifyingly human.
With years of experience in the fashion industry, the Creatives Agent at Compass offers designers, photographers, stylists, models, and others a new approach to find a place to call home.
On his new EP Black Moses, the Los Angeles-based musician continues his journey unpacking his personal struggles with his infectious tracks and invigorating live performances.
With her new role as Kay, the girlfriend of FBI agent Wendy Carr on David Fincher’s serial killer drama Mindhunter, the Canadian actor confronts the challenges of separating her professional and personal lives both on and offscreen.
The Nepalese designer celebrates a decade of championing diversity, inclusion, and a world made “stronger through color” with his vibrant clothing in his first monograph.
Photographer Gregory Harris and our fashion editor Katelyn Gray offer a celebration of individuality and originality with the help of a cast of eleven rising models assembled by The Secret Gallery.
At his Georgetown space, curator Todd von Ammon establishes a new template for the modern-day art gallery, bringing stimulating work to the nation’s capital, from digital media to sculptures by Helmut Lang.
Considering himself more a “maker than a designer,” the Dutch inventor builds his own machines to construct his wildly creative furniture, including the award-winning Endless Chair, made from a single string of recycled plastic.
After four years of study in Queens and Oaxaca, the former stylist offers a selection of durable new designs made by hand to foster social interaction.
